Jim Jarmusch Attended the Opening of His Exhibition ‘Some More Collages’ in L.A.

A whole lot of movie and artwork lovers convened at James Fuentes Gallery to have fun the opening of “Some Extra Collages,” Jim Jarmusch’s first solo exhibition in Los Angeles.

It was Saturday evening, and chatter bounced off the concrete flooring of the gallery as guests sipped wine and seltzer and tried to snap images with Mr. Jarmusch, the New York filmmaker and indie luminary.

Twenty-eight of Mr. Jarmusch’s small, minimal newsprint collages held on the partitions, together with three bigger lithograph version prints. (Although he’s not choosy about which papers he collages with, he typically makes use of The New York Occasions.)

“I discover Jim to be extraordinarily authentic and revolutionary,” Scarlet Sobranie, 68, mentioned as she explored the cavernous house. “He has an enormous fan base right here in Los Angeles.”

Mr. Jarmusch, 72, has made greater than a dozen movies, together with “Down by Law” (1986) and “Espresso and Cigarettes” (2003) — typically capturing strangers as they wander via each other’s orbits in numerous cities. He has additionally produced music, written poetry and created visible artwork, particularly lots of of collages. In a room buzzing with devotees, he was a quietly commanding presence who naturally caught out with a definite crop of white hair.

He shared his small, surrealist collages with the general public in 2021, when he held his first solo show at James Fuentes Gallery in New York.

Whereas these items had been summary compositions that layered newsprint and superstar heads on mismatched our bodies, his newer work is a little more eerie, leaving black cutouts within the place of individuals’s faces.

“I’m not analytical or very exact in my process, you recognize, deliberately — that’s my energy,” Mr. Jarmusch mentioned as he drank a glass of white wine. “I like imperfection, and that’s why I like newsprint.”

Though Mr. Jarmusch is rooted in New York, he has an abiding appreciation for Los Angeles.

“I like cities, and I’ve individuals I like right here,” Mr. Jarmusch mentioned. “It’s probably not the Hollywood scene — extra musicians and artists that I do know — however I like L.A. as a result of it’s so itself. It’s explicit.”

Tay Trong, a 51-year-old artist wearing black overalls and a hat lined in dozens of multicolored sun shades arms, mentioned he first encountered Mr. Jarmusch’s work in faculty, and located inspiration in Mr. Jarmusch’s candid perspective on originality.

“He says, ‘Take from the whole lot, as a result of not everybody will be authentic, and that makes everybody authentic,’” Mr. Trong mentioned, paraphrasing considered one of Mr. Jarmusch’s most popular quotes.

“He offers you an excellent start line, and also you don’t must be responsible about it,” Mr. Trong added. “However then it’s ironic, as a result of he’s completely authentic.”

Aralia Molina, 37, who drove from Tijuana, Mexico, and her buddy Maria Cochinita, 51, who traveled from San Diego, mentioned the present was well worth the drive.

“Rising up, watching movies of Jim Jarmusch was all the time a part of my youth tradition, and it was counterculture,” mentioned Mx. Cochinita. “However I’m glad that that is occurring. I’m glad that he’s getting that recognition.”

All through the evening, a crowd orbited round Mr. Jarmusch, as individuals politely tried to seize a second of his time.

Brianna Lara, the metalsmith behind Fumsup Silver, was ready for an opportune second to offer him a chunk of knickknack that was impressed by his 2013 film, “Only Lovers Left Alive.”

“I need my items to exist amongst sure those that I love,” Ms. Lara, 27, mentioned. “I feel he has a watch for nuance and doubtless appreciates one thing that got here from somebody that was minimize from the identical material.”

After the reception, Mr. Jarmusch’s mates and colleagues walked over to the Italian restaurant Ètra for a relaxed ceremonial dinner.

As LCD Soundsystem performed softly over the restaurant audio system, visitors settled into cozy cubicles and clustered round tables. Mr. Jarmusch sat alongside RZA, the Grammy-winning musician and the chief architect of the Wu-Tang Clan, and his spouse, Talani Diggs.

“I’m loving the collages,” mentioned RZA, who composed music for Mr. Jarmusch’s 1999 cult basic “Ghost Canine: The Method of the Samurai.” “Me and my spouse, we see two that we wish to attempt to convey residence with us.”